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Lastly, as incredible as it is that in 2020 I even need to call this out, it’s worth noting that all versions of Studio One-even the free Prime version-offer unlimited audio and MIDI tracks.
#STUDIO ONE REVIEW PRO#
If you can’t live without Pro Tools’ click anywhere in arrangement to play, Studio One can enable that with a simple toggle likewise, many aspects of the arrangement and mixer windows offer a lot of flexibility that can adapt to your preferred workflow. Wisely, it seems PreSonus realized they would need to offer the best of many other programs to convince users to switch, and many of the program’s customizations allow you to make the DAW behave more like your previous app of choice. Similar to Cubase, Studio One tracks are primarily controlled via the Inspector modal on the left-hand side of the screen, offering a relatively streamlined way to manage most of your vital parameters in one place.Īs I began browsing around both the GUI and Studio One’s preferences panel, one thing became immediately clear: this is a highly customizable DAW. Opening Studio One for the first time reveals an interface that takes some clear inspiration from Steinberg’s flagship Cubase software, albeit with a much more pleasing GUI and flexible window system.
#STUDIO ONE REVIEW SOFTWARE#
I’ve recently had some major issues with my iLok software on OS X, and it occurred to me that while I can stop using a particular compressor or EQ until I get the issue sorted out, I simply wouldn’t be able to work on sessions if my DAW was tied to such a licensing system. PreSonus gets some major points here for not using a hardware dongle, which in my opinion, is an unfortunate method of copy protection for something as critical as a DAW.
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All versions of Studio One are available for both MacOS and Windows, offering some nice flexibility compared to DAW’s restricted to a single platform like Sonar and Logic.ĭownloading and authorizing Studio One is a simple and straightforward process: create an account on PreSonus’ website, download your purchased version (or a demo), and log in to your account when prompted within the application on Mac or Windows.
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For this review, we’ll mostly be discussing Studio One Professional, which is the version I was provided for testing.
#STUDIO ONE REVIEW PROFESSIONAL#
In this review, we’ll take an in-depth look at Studio One to see what all the hype is about and see how the program stacks up against other options in the ever more competitive DAW ecosystem.Īs is standard with most DAW’s these days, PreSonus offers several versions of Studio One-Studio One Prime (Free), Studio One Artist ($99), and Studio One Professional ($399)-each with a different price point and feature set depending on your needs. On paper, Studio One hasn’t just caught up with the traditional major players but appears to have surpassed them with some genuinely novel features tailored towards all phases of the creative process, and my curiosity was piqued. While I’d briefly messed around with demos of earlier versions of Studio One, a glance at the PreSonus website made me realize their team has been hard at work- really hard at work, apparently-since I’d last experimented with the DAW. The program comes up more and more when I talk to fellow producers and engineers, and a quick scan of YouTube and forums like Gearslutz and KVR indicate a highly loyal and vocal fanbase. And yet, despite the uphill battle any new entrant to the DAW marketplace faces, there’s no denying that Studio One appears to be gaining some real momentum, particularly with the releases of Studio One 4.5 and 4.6.
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